eagleswings
On February 22, I offered a post on the thread, “More about ‘The Passion’”. It was necessarily lengthy since I laid out the basis for my concluding question which was:“May we infer that by using a soundtrack which is partly in Latin Mr. Gibson synchronized (“juxtaposed”) elements of the unbloody sacrifice of the Mass (“altar”) with the bloody sacrifice of the Cross, and blended together what is heard with what is seen?It later came to my attention that Richard Bennett, a former Jesuit Catholic priest, had, along with J.Virgil Dunbar, written an article concerning the film and posted it on his website.This is the link to the article:http://www.bereanbeacon.org/articles/mel_gibsons_vivid_deception.htmRoger