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4 Sermon Illustrations on Sensitiveness

4 illustrations

Sensitiveness in Christian preaching highlights the believer's responsiveness to spiritual and moral realities, urging careful discernment to avoid needless offense or insensitivity. Illustrations often use natural phenomena—like seismic waves or the keen instincts of creatures—to depict how true sensitivity perceives and responds to unseen forces (Proverbs 18:13, Ephesians 4:2).

Sensitiveness

Some people are overly sensitive, misinterpreting innocent actions as offenses.

The sensitive plant, that shrinks from the touch, is rightly regarded as occupying a high place in the vegetable world. When its delicate leaves are seen drooping from contact with the finger, we might fancy it gifted with a sort of consciousness, by which it can not only feel and perhaps suffer, but also visibly attempt to withdraw from suffering. It is an interesting object to notice, whatever may be our speculations in regard to it, and we naturally have strong interest in a plant so curiously endowed. Some men and women in our most civilized communities seem to be very much akin to this little shrub. Their one distinguishing characteristic is sensitiveness. They are easily hurt, easily irritated, easily offended. They translate every touch, however innocent or even friendly, into an intent to trouble or annoy them. They are constantly fancying slights, suspecting insults, imagining ridicule, dreading censure.--_Public Ledger._

from Cyclopedia of Illustrations for Public Speakers · Robert Scott and William C. Stiles

Sensitiveness

Moral actions affect others as seismic shocks affect the earth globally.

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Moral shocks are communicated to the whole world as certainly as earth tremors to the whole earth. No man can do a wrong deed or a right one without affecting every other man.

That the earth is extremely sensitive even to the slightest shocks, contractions, or alterations is shown by the tremendous rapidity with which the indications of these are transmitted to various parts of the globe. A few minutes after the first shock was felt in San Francisco the seismographic instruments at Washington recorded the tremor. (Text.)

from Cyclopedia of Illustrations for Public Speakers · Robert Scott and William C. Stiles

Sensitiveness

Certain moths show remarkable sensitivity by attracting mates even when hidden.

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A most remarkable example of a peculiar sensitiveness has been observed in certain moths of the family _Bombyces_--notably the Oak Eggar, the Emperor, and the Kentish Glory. Take a newly emerged female of either of these species, shut her up in a small box, conceal the box in your pocket, and then walk about in some country spot known to you as being one of the haunts of that species of moth. Then, if any of the males of the same species happen to be in the neighborhood, they will settle or hover about close to the female which, altho still concealed and quite out of their reach, has attracted them to the spot.--W. FURNEAUX, “Butterflies and Moths.”

from Cyclopedia of Illustrations for Public Speakers · Robert Scott and William C. Stiles

Sensitiveness

A sensitive woman found solace in secret prayer despite harsh treatment by a neighbor.

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“An Apology for My Twilight Rambles” was the original title of the tender hymn: “I love to steal away a while,” by Phebe Hinsdale Brown. The story in a word is this: Phebe was left an orphan in her Canaan home (New York), and fell under the cruel care of a relative who caused her to grow up timid and retiring to a painful degree. Marrying Timothy H. Brown, she made her home for some time in Ellington, Conn., caring for a growing family. At sunset, one day, she stole away from her cares for a little relief and for communion with God, in a rich neighbor’s flower garden, which, indeed, was her favorite resort. Her trespass was reported to the mistress of the house, who accosted her with: “If you want anything, why don’t you come in?” meaning, “Get out!” Next day, with a wounded spirit and filled with tears, holding her baby to her bosom, she wrote the lines above, nine stanzas in all, and sent them to the feminine churl who was so little of a neighbor and belied the odor of the flowers that blest her garden. (Text.)

from Cyclopedia of Illustrations for Public Speakers · Robert Scott and William C. Stiles

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