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6 Sermon Illustrations on Rejection of Christ

6 illustrations

The rejection of Christ in preaching highlights humanity's refusal to accept God's gracious invitation, often masked by excuses and hardened hearts. Illustrations commonly use imagery of invitations declined or opportunities spurned, emphasizing the tragic consequences of turning away from salvation (Luke 14:16-24). This subject calls for urgent repentance and openness to God's call.

Christ, Rejected

A skeptic's fearful denial of Christ's deity reveals the tragic consequences of rejecting Him.

A well-known learned man of Saxony, after having all his life long attacked Jesus and his gospel with all the weapons of sophistry, was in his old days partially deprived of his reason, chiefly through the fear of death; and frequently fell into religious paroxysms of a peculiar nature. He was almost daily observed conversing with himself, while pacing to and fro in his chamber, on one of the walls of which, between other pictures, hung one of the Saviour. Repeatedly he halted before the latter, and said in a horrifying tone of voice, "After all, thou wast only a man!" Then, after a short pause, he would continue, "What wast thou more than a man? Ought I to worship thee? No: I will not worship thee, for thou art only Rabbi Jesus, Joseph's son, of Nazareth." Uttering these words, he would return with a deeply-affected countenance, and exclaim, "What dost thou say?—that thou camest from above? How terribly thou eyest me! Oh! thou art dreadful! But thou art only a man, after all." Then he would again rush away, but soon return with faltering step, crying out, "What! art thou in reality the Son of God?" The same scenes were daily renewed, till the unhappy man, struck by paralysis, dropped down dead; and then really stood before his Judge, who, even in his picture, had so strikingly and overpoweringly judged him.

— Caughey

from New Cyclopaedia of Prose Illustrations · Elon Foster fear of god

Contempt, of the Truth

Some reject Scripture because it exposes both faults and virtues, showing contempt.

As they who are displeased with all things that profit them not; or as a blind man, who, groping by the walls of a fair house, doth find fault with the windows because they are not so smooth as the walls: even so such are they that find fault with the Scriptures because they show the spots as well as the beauty, the vice as well as the virtue. Cawdray.

from New Cyclopaedia of Prose Illustrations · Elon Foster hypocrisy

Rejection of Christ, Foolishness of

1 Kings 10

Rejecting Christ is foolish since He is the ultimate revelation of God, greater than Solomon.

In Mt. 12:42 Jesus mentions the queen of Sheba’s inquiry after God through Solomon as showing the stupidity of those who would not enquire after God through Himself, who was “God manifest in the flesh” and therefore better able to instruct them than anyone else

from Sermon Illustrations of the Bible, Topically Arranged · Keith L. Brooks

Advice, Unwelcome

People often reject good advice, even when it is for their own benefit.

Andy McTavish was “no feelin’ juist weel,” so he went to the doctor and stated his complaints.

“What do you drink?” demanded the medico.

“Whusky.”

“How much?”

“Maybe a bottle a day.”

“Do you smoke?”

“Yes.”

“How much?”

“Two ounces a day.”

“Well, you give up whisky and tobacco altogether.”

Andy took up his cap and in three steps reached the door.

“Andy,” called the doctor, “you have not paid for my advice!”

“Ahm no’ takkin’ it,” snapt Andy, as he shut the door behind him.

from Cyclopedia of Illustrations for Public Speakers · Robert Scott and William C. Stiles

Rejection Of Christ

Turning away from Christ for worldly possessions shows the cost of rejecting Him.

George Frederick Watts, the great symbolical artist of “Love and Death,” “Hope,” “Time, Death, and Judgment,” and other famous pictures, painted “The Ruler.” Speaking of the picture afterward he said, “Now I am doing a man’s back--little else but his back, to explain ‘he went away sorrowful, for he had great possessions.’ Fancy a man turning his back on Christ rather than give away his goods! They say his back looks sorry; I don’t know. It is what I meant his back to express.” (Text.)

from Cyclopedia of Illustrations for Public Speakers · Robert Scott and William C. Stiles heartself denial

Christ, The Rejected

Christ is often rejected by various people despite His saving work and presence.

At the exhibition of the Royal Academy, in London, the great canvas by Sigismund Goetze, entitled “Despised and Rejected of Men,” has created an artistic sensation. It is declared to be a “powerful and terribly realistic presentment of Christ” in a modern setting, and is described by a writer in _The Christian Commonwealth_ (London), as follows:

In the center of the canvas is the Christ, standing on a pedestal, bound with ropes, while on either side passes the heedless crowd. A prominent figure is a richly vested priest, proudly conscious of the perfection of the ritual with which he is starving his higher life. Over the shoulder of the priest looks a stern-faced divine of a very different type. Bible in hand, he turns to look at the divine figure, but the onlooker is conscious that this stern preacher of the letter of the gospel has missed its spirit, and is as far astray as the priest whose ceremonial is to him anathema. The startled look on the face of the hospital nurse in the foreground is very realistic; so is the absorption of the man of science, so intent on the contents of his test-tube that he had not a glance for the Christ at his side. One of the most striking figures is that of the thoughtless beauty hurrying from one scene of pleasure to another; and spurning the sweet-faced little ragged child who is offering a bunch of violets. In rejecting the plea of the child we know that the proud woman is rejecting the Christ who has identified himself forever with the least of these little ones. The only person in the whole picture who has found time to pause is the mother seated on the steps of the pedestal with her baby in her arms, and we can not but feel that when she has ministered to the wants of her child she will spare a moment for the lover of little children who is so close to her. In the background stands an angel with bowed head, holding the cup which the world He loved to the death is still compelling the Christ to drink, while a cloud of angel faces look down upon the scene with wonder. As the visitor turns away he is haunted with the music of Stainer’s “Crucifixion,” “Is it nothing to you, all ye that pass by?” (Text.)

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