The grotesque idol and lascivious sculptures at Juggernaut reveal the horror of idolatrous worship.
A respectable writer gives the following description of the festival of Juggernaut:—
Loud were the shouts of triumph which greeted our ears as we approached the temple of Juggernaut. Immense were the multitudes that thronged around, and thousands upon thousands would no more have been missed than a single grain from a handful of the finest sand. In a few minutes' space, we stood in front of the idol, raised upon its enormous car, and surrounded by a whole host of priests and devotees.
The first sensations which I experienced, on approaching it, were those of horror and disgust; but, alas! how were these sensations in a tenfold degree increased before the ceremonies of that day were past. The car, or tower, on which the idol was raised, stood at the height of many feet above the ground. Its sides were adorned with massive and enduring sculpture, representing the most lascivious forms and images which the mind of the wicked could suggest. The platform on the top was graced with an innumerable crowd of monsters, half-man, half-beast, in every variety and shape; and in the midst of these, the idol itself, a huge misshapen block of wood, was placed. Its visage was painted black, its mouth was of a bloody color, its arms were of gold, and its apparel was of the richest and most variegated colored silk. There it sat, in horrid, horrid listlessness, upon its elevated throne, while the priests and their assistants bowed themselves before it, and, with the most indecent attitudes and gestures, sought to propitiate its favor and its grace. Loud and long were the shouts of the multitude, as men, women, and children, all pressed forward, to lay, if it might be, even a finger upon the ropes that dragged the stupendous car. Many were the worn-out and travel-soiled pilgrims who were crushed to death in the vain and empty struggle; but loud were the plaudits which they who died received, and a smile remained upon their countenances even in the bitter hour of death.
At length the idol moved. The enormous wheels, upon which it was supported, creaked and groaned beneath its weight, and the deeply indented ground showed the immensity of the pressure that rolled along its surface. In a short space it stopped, and then the worship of the god commenced.
The chief priest advanced, and with many a low salaam began to recite a long roll of obscene and indecent verses. "These are the songs," he exclaimed, "with which the god is delighted. It is but when he is pleased that his car will move." Accordingly it did move a few paces in advance, when again it stopped, and anon a youthful being was brought forward, to attempt, if it might be, something still more lascivious, to propitiate his god. He began to caper—but I cannot, I will not, carry on the horrible description. Fancy cannot picture, the imagination cannot conceive the abominations of this worship. I turned away, in sickness of heart, and in utter loathing and disgust, from the sight; but a loud and renewed shout fell upon my car, and involuntarily I turned round and saw an emaciated and worn-out pilgrim, with a kind of supernatural strength, and a wild devotion gleaming in his eyes, force his way through the surrounding crowd, and prostrate himself on his face in the very course of the terrific car, and, with outstretched arms and legs, await unmoved the consummation of his fate. On rolled the ponderous wheels, and ere a minute had elapsed, the misguided wretch lay crushed, dismembered, broken, a shapeless mass of flesh, and scarcely to be distinguished from the dust amongst which he was almost concealed from sight. Loud songs of praise accompanied this act of self-devotion, for the multitude believed that the victim would be received as a favored child by Juggernaut, and recalled into life in a state of everlasting happiness and joy.
# 270. Human Sacrifices.